Monday, December 14, 2020
Friday, December 11, 2020
CONSTRUCTION FILMING
Thursday, November 26, 2020
MEDIA CONCEPTS - FILM INDUSTRY
June 2012
1. "Cross-media convergence and synergy are vital processes in the successful marketing of media products to audiences.” To what extent do you agree with this statement in relation to your chosen media area?
June 2013
2. Evaluate the role of digital technologies in the marketing and consumption of products in the media area you have studied.
June 2015
3. To what extent does media ownership have an impact on the successful distribution of media products in the media are that you have studied? (June 2015)
June 2017
4. ‘Marketing is vital to the success of both established and new media products.’ To what extent do you agree with this statement in relation to the media area you have studied?
June 2018
5. What is the impact of the increase of digital and online technologies on audiences in the media area you have studied?
Thursday, November 19, 2020
PLANNING MY TARGET AUDIENCE
Maze Runner
Friday, November 13, 2020
TREATMENT
PLANNING: TREATMENT
Top Line and Big Question
Wednesday, November 4, 2020
SCOOP-IT
Tuesday, October 27, 2020
RESEARCH: TITLE SEQUENCES
Directed by - Ryan Coogler
Screenplay by - Ryan Coogler & Aaron Covington
Story by - Ryan Coogler
Produced by - Irwin Winkler, Robert Chartoff, Charles Winkler, William Chartoff, David Winkler, Kevin King-Templeton, Sylvestor Stallone
Executive Producer - Nicolas Stern
DOF - Maryse Alberti
Production designer - Hannah Beachler
Editors - Micheal P. Shawyer & Claudia Castello
Original score - Ludwig Goransson
Music supervisor - Gabe Hilfer
Visual effects - John P. Nugent & Alison O'Brien
Costume designers - Emma Potter & Antoinette Messam
Casting - Francine Maisler & Kathleen Driscoll-Mohler
Cast - Micheal B. Jordan, Sylvester Stallone, Tessa Thompson, Phylicia Rashad, Andre Ward, Anthony Bellew, Richie Coster, Jacob Duran, Graham McTavish
Production - A Chartoff Winkler
Control
Lead Designer - Paul Ehreth
Friday, October 16, 2020
FRANK ASH DIGITAL STORYTELLING
Tuesday, October 13, 2020
DISTRIBUTION COLLAGE
DISTRIBUTION
Wednesday, October 7, 2020
Sunday, October 4, 2020
TABLETOP
ON THE SET
Brief account of learning to use the cameras and tripods, what filming terminology to use on set and good practice in editing
On set We then learnt the terminology used in the film industry on set. The director shouts 'Standby' before filming to ensure that everyone is ready and when they are, they reply 'Standing by.'
Tuesday, September 29, 2020
CONTINUITY EXERCISE
We based our film on football, capturing different shots such as, POV, arc pan, reaction, over the shoulder pan up and a tracking shot.
Our group included me, Matt, Ben and Sam where Matt, Ben and Sam all were players and I was the camera man, who put in an exceptional shift.
The film took us a double lesson to film and edit, due to the fact we had to retake some shots as there were problems on set.
In the end our film turned out well, as we showed off multiple camera angles, and post production made it better.
Sunday, June 28, 2020
RESEARCH: ART OF THE TITLE - JOJO RABBIT
Research: Art of the title – Jojo Rabbit
I have chosen to study the film opening of Jojo Rabbit as it
is very entertaining and enjoyable to watch and it would make someone
interested in watching the movie.
To begin with there are fast paced shots of Jojo as he steps
into the shot of the camera. The editing attaches short clips of Jojo from
different angles before showing his full persona.
Jojo then interacts to the camera and the audience as he describes
what is going to happen throughout the movie and gives us a brief idea of any
upcoming scenes. This is clearly shown when Jojo says to that camera that ‘this
is going to be intense’.
The whole opening and movie is very comedic as it shows the
character playing Hitler asking Jojo questions about Germany and himself to
make sure that Jojo is ready. Comedy is also shown when Hitler is talking to
Jojo saying that he is scrawny and unpopular.
From this film opening, it gives the audience a connection
with the characters with the two main ones being Hitler and Jojo. From getting
an idea of what the characters are like so early into the opening it makes the
audience want to watch on and a good movie opening can grow the fan-base and
community.
At the very beginning of the Jojo Rabbit opening, the
editors make changes on the usual, well known Fox Pictures intro music.
Instead, they add angelic voices of the kids from the movie singing a German
song, in time to the well-known intro music which makes it interesting and
enjoyable to watch and listen to.
The camera work shown is very professional as it is shot on
a moving platform throughout the street and the camera is flat and still all
the time meaning there is no blur when moving and gives a clear and vivid
image.
The whole opening is very enjoyable to watch from the audience’s
perspective because it is based on a controversial topic of Hitler during older
times yet they turn a debatable subject and make it enjoyable and less serious.
This is also shown when Jojo and Hitler are speaking to each other and Hitler
is teaching Jojo how to heil him. Eventually as both of them are getting excited
and jump up and down, the music and atmosphere starts to kick in. When the
music starts and Jojo runs out onto the street the audience can understand that
the scene is going to be fun and connecting.
Throughout the opening, historical flashbacks are also used from the editors. They add these flashback scenes to give a sense of realism of the opening. Throughout the flashback scenes showing what everything was like for children and adults in Germany back then, the title sequence also begins.
The
black, bold font stands out because of the dark red highlight. There is also
white fancy fonts throughout these. The colour use of red, black and white, is
scene on the Nazi symbol. Therefore, the editors have linked in the title
sequence with the Nazi symbol which links in with the story of the movie.
WELCOME MODERATOR
Welcome to my blog! Finn Hanley Candidate Number 1824 Claremont Fan Court School 64680 My production team included: Matthew Heyns 1828, Ben...
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REFLECTIONS by Finn Hanley
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Brief account of learning to use the cameras and tripods, what filming terminology to use on set and good practice in editing This account i...